i stole this
original thoughts of other people
i stole this
+
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
asylum-art:

Agus Suwage - National Portrait Gallery
+
Never fails… Thanx #cardsagainsthumanity! #forthewin (at Camp Stew)
+
With @anew92 getting our rehearsal on! Get your tickets at bgmc.org! #boston #gay #pride #alexnewell you do not wanna miss this guys performance!!!!!!!!
+
Just another fundraising gala! It’s the season.  #bear #beard #mustache #feathers #earrings giant #gayguy  holding a #fan
+
darksilenceinsuburbia:

A Theater of Darkness
In collaboration with the Lucent Dossier underground cirque troupe, photographer August Bradleypresents A Theater of Darkness, an enchanting visual narrative filled with curiosity and terror. As if birthed from the pages of an H.G. Wells novel, Bradley’s circus characters are confined to an old, anachronistic vaudeville theater—long after their performances, they lurk in the steampunk underground, yearning for the outside world and hoping for escape.
darksilenceinsuburbia:

A Theater of Darkness
In collaboration with the Lucent Dossier underground cirque troupe, photographer August Bradleypresents A Theater of Darkness, an enchanting visual narrative filled with curiosity and terror. As if birthed from the pages of an H.G. Wells novel, Bradley’s circus characters are confined to an old, anachronistic vaudeville theater—long after their performances, they lurk in the steampunk underground, yearning for the outside world and hoping for escape.
darksilenceinsuburbia:

A Theater of Darkness
In collaboration with the Lucent Dossier underground cirque troupe, photographer August Bradleypresents A Theater of Darkness, an enchanting visual narrative filled with curiosity and terror. As if birthed from the pages of an H.G. Wells novel, Bradley’s circus characters are confined to an old, anachronistic vaudeville theater—long after their performances, they lurk in the steampunk underground, yearning for the outside world and hoping for escape.
darksilenceinsuburbia:

A Theater of Darkness
In collaboration with the Lucent Dossier underground cirque troupe, photographer August Bradleypresents A Theater of Darkness, an enchanting visual narrative filled with curiosity and terror. As if birthed from the pages of an H.G. Wells novel, Bradley’s circus characters are confined to an old, anachronistic vaudeville theater—long after their performances, they lurk in the steampunk underground, yearning for the outside world and hoping for escape.
darksilenceinsuburbia:

A Theater of Darkness
In collaboration with the Lucent Dossier underground cirque troupe, photographer August Bradleypresents A Theater of Darkness, an enchanting visual narrative filled with curiosity and terror. As if birthed from the pages of an H.G. Wells novel, Bradley’s circus characters are confined to an old, anachronistic vaudeville theater—long after their performances, they lurk in the steampunk underground, yearning for the outside world and hoping for escape.
darksilenceinsuburbia:

A Theater of Darkness
In collaboration with the Lucent Dossier underground cirque troupe, photographer August Bradleypresents A Theater of Darkness, an enchanting visual narrative filled with curiosity and terror. As if birthed from the pages of an H.G. Wells novel, Bradley’s circus characters are confined to an old, anachronistic vaudeville theater—long after their performances, they lurk in the steampunk underground, yearning for the outside world and hoping for escape.
+
meanwhilebackinthedungeon:

— Tobias Kwan
Motherland Chronicles:   Throne Lady 
+
eightiesart:

KENJI SAITHO
+
+
moshita:

The Excavation of Mushroom Island
Logan Zawacki
moshita:

The Excavation of Mushroom Island
Logan Zawacki
moshita:

The Excavation of Mushroom Island
Logan Zawacki
moshita:

The Excavation of Mushroom Island
Logan Zawacki
moshita:

The Excavation of Mushroom Island
Logan Zawacki
moshita:

The Excavation of Mushroom Island
Logan Zawacki
moshita:

The Excavation of Mushroom Island
Logan Zawacki
+
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
darksilenceinsuburbia:

Phillip Toledano
A New Kind of Beauty
2008-2010

I’m interested in what we define as beauty, when we choose to create it ourselves.
Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon’s hand? Can we identify physical trends that vary from decade to decade, or is beauty timeless?
When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human induced evolution? (artist statement)




Stunning!!!
+
darksilenceinsuburbia:

Jessica Harrison
Flash


Facebook
darksilenceinsuburbia:

Jessica Harrison
Flash


Facebook
darksilenceinsuburbia:

Jessica Harrison
Flash


Facebook
darksilenceinsuburbia:

Jessica Harrison
Flash


Facebook
darksilenceinsuburbia:

Jessica Harrison
Flash


Facebook
darksilenceinsuburbia:

Jessica Harrison
Flash


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darksilenceinsuburbia:

Jessica Harrison
Flash


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+
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
likeafieldmouse:

James Mollison - Where Children Sleep
Artist’s statement:
"Stories of diverse children around the world, told through portraits and pictures of their bedrooms. When Fabrica asked me to come up with an idea for engaging with children’s rights, I found myself thinking about my bedroom: how significant it was during my childhood, and how it reflected what I had and who I was. It occurred to me that a way to address some of the complex situations and social issues affecting children would be to look at the bedrooms of children in all kinds of different circumstances. From the start, I didn’t want it just to be about ‘needy children’ in the developing world, but rather something more inclusive, about children from all types of situations. This is a selection from the 56 diptychs in the book."
+
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
istolethis:

Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.

Stunning!!!!!
+
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
Model: Joe Andrews. 
Photographer : izzy berdan
Www.izzyberdan.com
Please don’t remove credits.
+
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo
izzyberdanphotography:

Model: Conall Mahoney
Photographer : izzy berdan
Izzyberdan.com
Please don’t remove credits.

Xoxoxo